I met him in Prado is good, though. Anderson is the Jad Mosque for Ceramics and Panels, and he is also a sponsor of the arts: The annual LOEWE CRAFT Award has been opened with the Board of Directors of the Victoria and Albert Museum in London. She welcomed the opportunity to see the Spanish Royal Art collection through his eyes, even if that means getting rid of his hobby through crowded galleries filled with Madrillus at the beginning of the weekend; The Spanish museums are considered half a recognition of a long, handsome, handsome, which is transcendent through their middle, and they are intensively and confidently the history of art. It was crashed by Brado behind us, to direct us efficiently towards the business that Anderson requested to look (“Let’s do Van Dyck”, “Do you have any channel?”), Like a personal shopper who deals with a very important customer in advanced stores.
He explained that the paintings written by Titian and Robins arrested Anderson’s attention the first time he saw. In realizing a person’s vision, he continued, that an artist in Robbins’s position: took into œuvre from the prominent sects, studying and simulating the technique of others before he dared to create something new himself. Anderson said: “If you are learning from a master or from a great job, your work in the end is to find a new novel in it,” Anderson said. “Like, Jean will always be Jan. You have to find a new way to represent Jean.” In the last LOEWE groups, Anderson has done this achievement over and over again. He wandered the fabric around the front pockets of a Bluejeans husband so that the pants across the thigh appear almost the way GainsBorough. Anderson also wrapped the denim into an asymmetric shape so that the fabric surrounded the fabric of the flowing hip, smoothly falling like an elegant dress drawn by John Sargent singer.
Anderson said that contemporary society often fails to see an involvement value, and has failed to estimate the past enough. “It is about to learn He told me. “As Titan and Rubens were a star of paint, ultimately, in this period, this was supposed to be seen as a craft. Francis Bacon – I worked as my craftsman in Philip II.”
Care of kings is clear everywhere on the walls of Prado. Anderson said, “It is about power and ruralism,” while we were walking between the halls that display the works of Diego Vegozwiz and Francisco Goya, along with other courts in court such as Juan Botista Martinez del Mazu, in 1665, filmed the fourteen -year -old Aseita Margareta, from the Silva. He was tall. “I am obsessed with the structures under the clothes – the structure of these clothes crazyAnderson said. “You will find the guarantee” – often, the whale. “You will find layers and layers of fabric and love. It was incredibly heavy. You don’t go far away this“In the latest exhibition of Liwi’s runway, which was presented in September, in Paris, he appeared on a series of wide casting dresses, although his releases were greatly shortened, and the buttocks skirts, allowing more movement to a large extent. Instead of the whale, he was wearing long clothes of long pink printing on the layers, where it combined the size with the summer code.
At an exhibition of religious art in the Middle Ages, we stopped in front of the “landing of the cross”, which he drew in the mid -hundred hundreds by Mr. Roger van der Widan Dutch. The complex formation of Mary, made of folded blue robes before the ousted body of Christ. “I think this is one of the most amazing pictures of the fabric,” Anderson said, noting that the narrow gray pieces are on the sleeves of Mary, from under it, which indicated something similar to a shirt less than long names on an identical. It was tempting, if it was likely to be the sacred, compared to the impact of the dual, fake cuff, created by innovative sewing, on the Mirino Albaka jacket in one of the last JW anderson collections. Anderson said, “It is the beginning of depicting humanity. You get this idea of clothes and the strength of clothes. And you see, as it passes through history, the clothes eventually dictate how to see ourselves,” Anderson said of the painting.
In the context of hundreds of paintings that make luxury fabrics, the panels associated with Titian and Robins from Aden Park were especially suggestive: every artist had taken the last minute when the clothes were unnecessary. Before Eve in the forbidden fruits, no one at all felt pressure. Anderson said: “It is, in the end, the dream,” as we considered Adam and Eve, their genitals obscure some of the strategic papers. It is before any form of consumption. Somehow, it is, like, this is the place we did not need, until we decided that we were no He will do what we have been told. Perhaps there is a strange imagination – it is better to be naked in some way? “
My trip to Madrid, with her tour of Brado’s whistle, was the first, but it is far from the end of the time when a member of the Anderson team was asked to absorb the demands of his advanced evaluation continuously. There was also a suitability that I was supposed to notice in Madrid, which was eliminated after I traveled to the capital, because Anderson had to attend the LVMH event. (It was a great bouquet of LOEWE, which was sent to my hotel room, at least some condolences. (More beautiful flowers were sent to my room in the hotel.) At the party, which was erected in the LOEWE’s Avenue Montaigne, I received a free version of the limited book, which is large enough to fill my cylinder bag. When I reached the top of the waiting list to sign books, Anderson inserted the luxurious folder with “a lot of love, Jonathan”. There was a meeting in London, where Anderson lived the rest of the time, its date was determined with confidence and then postponed indefinitely, but it was not categorically canceled. The possibility of his meat is far from hand for weeks, in a way that made me think somehow in the Anderson Fall/Winter 2023 group for Louis, where he presented silk dresses from printed lines with images that are not clear of slaughter. For several months, he began to feel as if Anderson himself was a great property of the Habsburg Court – like one of Villazkuys, who were complaining about their walls from the walls of Prado – while I was a humble dominant in the palace gates.
There was some interpretation of Barah, regardless of the daily nonsense of the fashion industry. Over the course of the past year, Anderson was rumored to leave Louis, and that he would soon be appointed creative director of Dior, another house owned by LVMH. This was the subject of gossip in spring/summer 2025 shows in Paris in September, when LOEWE overcame fashion shows from Château de Vinns, a group where Anderson showed his skats with skirts Huge. (There was another smart creation that was a khaki trench, thanks to the hidden wires in the hem, it was opened at the bottom, as if it were strong winds. This Jeff Goldblum included deeply tanned and smile in a leather jacket and gray pants; I wandered with slow photography movements, before sitting next to Anna Winner inside a vast white structure that was built in a courtyard. Daniel Craig and Rashil Wesz received a similar fading while they appeared from a town car and entered the castle gates, both of whom wearing mysterious jackets. Craig Anderson met while filming “Queer”, Luka Guadanino, the last adaptation to William S. Borose Rovila, who created fashion designer; After that, the actor designed similar to the Louis campaign, where he pretends wonderfully in carved sweaters and unipolar jeans. (Craig later told me, “Jonathan loves the creative world, and the fingers of what he does in his world go everywhere. It is not just one thing, Jonathan – it’s a lot, many things.”)
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